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Exhibition cover
Even If It Looks Like Grass - Chow and Lin Solo Exhibition

BOUNDED SPACE is pleased to announce the solo exhibition of artist duo Chow and Lin, Even If It Looks Like Grass, opening on September 4. Curated by Evelyn Sun, the exhibition presents the artists' research and reconsideration of social systems and human perception of existence, using wheat and data as points of entry.  


Foreword


The cultivation of wild wheat began across the Fertile Crescent in the Middle East over ten thousand years ago, moving across the Mesopotamian into ancient Egypt and later to wider geographic regions. Today, wheat is intertwined with human development and culture, with its original or processed forms present on all continents.


The story of data can be traced to inventions including Gutenberg's mechanized printing press in the 15th century, Hollerith's tabulating machine in 1884 and the Electronic Numerical Integrator and Computer developed in the 1940s. Access to data was revolutionized with the Internet, and digitization of text, still images, video and audio has accelerated in the past two decades. The binary sequence of 0s and 1s has become a prevailing global language to store, disseminate and analyse information. Wheat and data have journeyed across different temporal and spatial contexts to become critical pillars of human daily subsistence and development. It is predicted that in 2025, global wheat production will reach 805.3 million metric tons, and the world will generate 181 zettabytes (1 zettabyte = 1 billion terabytes) of data. *


Chow and Lin are a Singapore artist duo focused on the dynamic relationship between human phenomena and their underlying systems. Leveraging backgrounds in economics, statistics, engineering and media, they create powerful visual explorations of global issues. In their 15-year art practice, they have been studying food systems, socio-economic structures and information methods in different countries, leading them to investigate wheat and data as core building blocks of food and information systems. The artists probe into the parallels and intersections between wheat and data, revealing the support structures and agential role of humans within the system architectures.


Beneath the idealised imagery of uniform sunlit wheat fields and dense data streams lie complexities of operational technologies, trade and finance linkages, geopolitical landscapes, climatic ecological trends and ethical standards. Wheat and data represent two systems which have shaped human cognition, social interactions and world order in the past, present and into the future. These systems do not operate in isolation but have overlapping areas of resource needs, impact drivers and interdependencies. Deliberate human interventions to wheat including breeding, mechanized sowing and trade enable our enable transformation and transfer of calorific energy and nutrients from earth to table. Increasingly, the planting, distribution and consumption of wheat and food crops rely on decision-making support provided by big data. Meanwhile, data collection, transmission and application rely on physical infrastructure, electrical power and allocation of human resources.


The exhibition engages the audience to expand and explore the two systems – with an extensive display of research akin to big data, laborious grinding of wheat using a traditional stone mill, AI-generated food visions, equalized valuation of food and data, and an auditory and olfactory experience. Through open and tangible encounters, it invites a reconsideration of the relationships between humans, food, data and systems. How do these links affect our daily lives and future? Who is cultivating or being cultivated? How are human senses changing in an increasingly virtual and data-driven world? How do we understand our position within these systemic constructs?


Wheat and data, and their connected systems, lead into larger dynamic systems. Stories of structures, connections and values spun from abstractive elements which seem almost as inconspicuous as grass.


 By Pang Yujing


*Source of information on wheat and data in the text:

1. Food and Agriculture Organization of the United Nations, Cereal Supply and Demand Brief, 2025-7-4, https://www.fao.org/worldfoodsituation/csdb/zh

2. EXPLODING TOPICS, Amount of Data Created Daily (2025), 2025-4-24, https://explodingtopics.com/blog/data-generated-per-day.

Installation Views
Featured Works
Artist Introduction
Chow and Lin

The crux of Chow and Lin’s practice lies in their methodology of statistical, mathematical and research techniques to address global issues since 2009. Through a research-based visual approach, Chow and Lin’s projects are driven by discursive backgrounds in economics, public policy and media, and these are further augmented by enduring exchanges with specialists in those fields. They are based in Beijing.

Stefen Chow (1980) was born in Malaysia and raised in Singapore. He was a mountaineer and was involved in ten Himalayan expeditions including summiting Mount Everest. His work has received awards from the World Press Photo, National Geographic and Tokyo Type Director’s Club. He holds a Bachelor of Engineering from the National University of Singapore.

Huiyi Lin (1980) was born in Singapore. She is trained in economics, has a background in economic policy formulation in Singapore and conducts research on food and agriculture. She holds a Bachelor of Social Sciences from the National University of Singapore, MBA from Tsinghua University – MIT Sloan School International MBA Program and Masters in Fine Arts from the Central Academy of Fine Arts (CAFA).


Selected Exhibitions

“Multiple Future: New visions of our life”,Ennova 艺术双年展,中国河北,2024-2025

“Of Mountains and Seas”,拉合尔双年展03,巴基斯坦拉合尔,2024

“Systems”,纽约现代艺术博物馆(MoMA),美国纽约,2023-2024

“We Honestly Don’t Know”,WMA展位,香港巴塞尔艺术展,中国,2024

“If I had a Hammer”,休斯顿Fotofest双年展,美国休斯顿,2022

“Photography-Who is It For”,朗斯克罗纳摄影节(Landskrona Foto Festival),瑞典朗斯克罗纳,2022

“Summer of Fireflies”,阿尔勒摄影节(Les Rencontres De La Photographie),法国阿尔勒,2021

“The Natural History of an Island”,三影堂摄影艺术中心,中国北京,2021

“Extraperlo 2021: Curating Curators”,马德里设计节,西班牙马德里,2021

“Margins: drawing pictures of home”,艺术与科学博物馆,新加坡,2021

“Equivalence – Cans”,第 75 届联合国亚洲及太平洋经济社会委员会会议,泰国曼谷,2019

“Homeless”,新加坡国立大学博物馆,新加坡,2018

“Post-conflict”,Getxophoto,西班牙赫塔,2018

“Poverty is the parent of revolution and crime”,Myanm/art 画廊,缅甸仰光,2017

“Your Selfie Stick (and You)”,连州国际摄影节,中国连州,2017

Publications

《贫困线》(The Poverty Line),英文,Lars Muller 出版社,2021

《贫困线》(Le Seuil de Pauvreté),法文,Actes Sud 出版社,2021

以上书籍被收藏于纽约现代艺术博物馆(MoMA)、蓬皮杜艺术中心图书馆(Bpi)以及新加坡国家美术馆图书馆

Prizes and Honours

-TED Fellows,2024

-IMPART 艺术奖,新加坡,2022

-Faling 突破奖--艺术中的科学,德国柏林,2020

-LUMA Foundation Arles Rencontres Book DummyAward,法国阿尔勒,2019

Permanent Collections

-纽约现代艺术博物馆(MOMA),美国

-中央美术学院博物馆,北京,中国

-Vontobel 收藏,瑞士苏黎世

Lectures

-伦敦政治经济学院(LSE),英国伦敦

-帕森斯设计学院,美国纽约

-巴黎政治学院(SciencesPo),法国巴黎

-李光耀公共政策学院,新加坡

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Chow and Lin