‘保质期’— 杨工业
This work constructs a void picture of the suture between the remnants of civilization and the industrial order. The classical column at the center of the picture overlaps with the cold chassis, symbolizing the failure and alienation of eternity under the logic of digitalization. The physiological Spaces placed in parallel in the background and the blurred images attempt to draw the sense of sublimity into the mundane daily cycle.
Pink balloon to its weak lightness, the wire winding on the structure of heavy, like some kind of limited effect, cheap in a consumer society.
Born in Qinzhou, Guangxi in 2001, he obtained a bachelor's degree from the Central Academy of Fine Arts in 2023 and began his master's studies at the same academy in the same year. I am currently working and living in Beijing.
Now with consumption environment is nothing feeling as a starting point for creation. From the initial depiction of the character "zhi", it points to the suspended state of existence itself. Then, in the "Gambling on Stones" series, the dynamic forms of nothingness are discussed. The purpose is to illustrate how modern people fill the void of time with accidental stimuli, only to find a deeper emptiness after the stimulation. At the current stage, we are examining the emergence of a sense of nothingness after the industrial age from multiple perspectives.
