‘红’— 杨工业
I combined the cold metal components with the soft, fleshy form, aiming to present a silent confrontation. Stainless steel frame, bolts and hinge represents the rational order, while the red skin texture is my original tension of life expression.
I didn't use complicated decorations. I just let the hard and the soft have a direct dialogue to simulate a state where "life is wrapped or defined". For me, this work is like a sealed industrial slice, exploring the distance between the physical body and the rules within the cold metallic hue.
Born in Qinzhou, Guangxi in 2001, he obtained a bachelor's degree from the Central Academy of Fine Arts in 2023 and began his master's studies at the same academy in the same year. I am currently working and living in Beijing.
Now with consumption environment is nothing feeling as a starting point for creation. From the initial depiction of the character "zhi", it points to the suspended state of existence itself. Then, in the "Gambling on Stones" series, the dynamic forms of nothingness are discussed. The purpose is to illustrate how modern people fill the void of time with accidental stimuli, only to find a deeper emptiness after the stimulation. At the current stage, we are examining the emergence of a sense of nothingness after the industrial age from multiple perspectives.
